Selected work · prepared for WP Media
Video content creator · Production and post-production
Seven years of video production, from the format idea to delivery. I write, shoot, edit, grade and mix, alone, with my own camera, lighting and sound gear. The selection below is ordered for your brief: speech-led and corporate work first, then advertising, then craft. Each entry says what I handled myself.
Content where someone has to carry the message: directing people who are not professional speakers, getting usable answers on the day, and cutting them into something that holds attention.
Brand film built on the words of the people who run the place rather than on a voice-over. Shot, lit, recorded and edited by me.
Company film explaining what a business does and how it works, for a non-specialist audience. Full chain handled in house.
Institutional end-of-year film for a research institute. Message-driven format, delivered to a fixed date.
Corporate film shot at a professional event. Interviews with speakers, atmosphere and aerial shots, coordinating an FPV operator on the indoor sequences.
Commercial formats, including a four-film campaign for a single client: same brand, different angles, each one built around one idea instead of restating the whole offer.
First film of an advertising series for a swimming-pool builder. Concept, shoot and edit handled end to end.
Second angle of the same campaign, rewritten rather than recut, so each film stands on its own.
Third angle of the campaign, produced in the same series to feed the client's channels over time.
The construction side of the same client: a technical, unglamorous subject filmed so that it becomes a selling point.
Short commercial piece built around a hook and a single message, made for online distribution.
House, architectural details and pools. Product filmed so the detail becomes the argument.
Short-form content: a hook in the first seconds, readable without sound, and a separate cut for every platform rather than one reframed export.
Off-site activation for a sport and leisure venue. Vertical format built to announce the event.
Short format commissioned by the athlete himself around a competition. Tight writing for social distribution.
Fast-cut edit locked to the music. Short, punchy format made for social platforms.
Proof that the image holds up when the subject deserves it: light built on site, not found.
Brand film shot during service. Lighting built entirely on site, work on texture and reflection, warm grade.
Precise gestures, textures, plates going out. Filmed up close, with no unnecessary staging.
Full-day coverage. Handheld camera close to the athletes, aerials for the scale of the venue, no second take.
A home studio that has been producing client work for years, so there is no ramp-up and no equipment budget to approve.
Nikon Zf and Nikon-RED ZR cinema camera with native RAW, two cinema lenses, Steadicam and Easy Rig.
LED panels and projectors, so sets are lit rather than found. Wireless lapel mics, recorders and intercom.
Dedicated editing and grading station. Premiere Pro, DaVinci Resolve, Photoshop and Lightroom. Drone, A1/A3 certified.
Three formats I would want to test first. The subject is technical, the method is the one I already use to make a pool build or a hotel worth watching: one idea per video, proof on screen, and a hook that earns the next ten seconds.
A single performance problem per episode, to camera plus screen recording, with the before and after numbers shown rather than described. Evergreen, searchable, and each one ends where the product solves it.
Install to result on an actual slow site, filmed in one take. The vertical cut keeps only the most surprising number and opens on it, because a Short has three seconds, not thirty.
Short ad variants where one variable changes at a time, hook, framing or claim, so the result tells you what worked instead of which version won. The pool campaign above was built on the same logic.